James designs each wooden skyscraper in his mind’s eye and skilfully uses his hands to freely guide the lumber, cutting out every detail of the structure with the bandsaw. “To me, it’s a very expressive machine, responsive to its user in a very sensitive way,” he explains. “I’m sensitive to how the material behaves with the machine, and how my behaviour impacts the resulting forms. If we (maker, material, machine) can dance together, the results are often beautiful.”
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